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Samantha Lin

Samantha Lin

Tag Archives: mobile blogging: please forgive any (temporary) typos

Samantha’s Humble Tour and the English Dream Trip — Week One: Thursday

03 Friday Jun 2016

Posted by Samantha Lin in Places and Spaces

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2016: English dream trip, 2016: Samantha's humble tour, cities: london, europe: england, from the united kingdom of awesome, mobile blogging: please forgive any (temporary) typos, photography: food, Photography: iphone, photography: nature, photography: places

I’ve always found it difficult to achieve a good balance between experiencing and documenting all the crazy and wonderful things in my life, and I’m well-aware of the massive backlog I’ve acquired over the last few months of work and life explosions. But right now, the PhD thesis has been submitted, the university semester is over, the final essays have been marked and returned, the Shakespeare conferences and talks and film introductions have been given, the contents of my Belfast life have been donated or stored safely at a good friend’s, the house has been successfully vacated, the 30 or so insect bites along my legs and ankles (my souvenir from Paris two weeks ago) have healed reasonably well, and I am here in London with my trusty carry-on, ready to embark on five (!!) weeks of work-free, deadline-free, and laptop-free adventures. (Okay, maybe not entirely work-free, since I’ll probably do a bit of novelling and other writing, but these are super funfunfun things!)

So I thought I might take this opportunity to document the next five weeks of Samantha’s Humble Tour (as opposed to the traditional Grand Tour). A good chunk of it will be what I’ve called my “English Dream Trip”, and, since I’ve decided not to rent a car, I’ll be spending a lot of time on trains. The “English Dream Trip” attempts to cover as many of the places I’ve always wanted to go but never managed. When I first accepted the PhD scholarship at Queen’s University Belfast, I had every intention of going on trips to other parts of the UK and beyond every fortnight or month–and it never happened, because I developed an unprecedented case of workaholism for both the PhD and Tea For Three Studios, and I was also committed to sing in a cathedral choir every Sunday.

But no more! The English Dream Trip is indeed happening (even if I’m planning it as I go), and I will indeed document it and share the uber shinies with my iPhone-only photos! I also thought I’d share the cost of everything, since it might be helpful for anyone else preparing their own English (or perhaps Scottish or Welsh or Northern Irish) Dream Trips, and because I want to show that a lot of these trips are rather affordable (accommodation notwithstanding–I had some horrible hostel experiences a few years back, and am thus disinclined to share my sleeping quarters with strangers). Also, to put some prices into context, I have several perks as a “student” and have acquired a Railcard, which gives me 1/3 off a range of trains–I’ll try to put the normal prices were applicable.

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Late Romances Bardathon Weekend: The Tempest

09 Wednesday Mar 2016

Posted by Samantha Lin in A Spot of Shakespeare

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mobile blogging: please forgive any (temporary) typos, shakespeare: reviews, shakespearean works: the tempest

It seems rather fitting that the last of the four late romances I’ve attended this long weekend is The Tempest, which is not only presumably Shakespeare’s final solo work (he ended his career with a few collaborations, including Pericles), but also the final Globe play under the direction of the outgoing artistic director Dominic Dromgoole, who’s held the position since 2005. While I’ve always appreciated the artistry of The Tempest, I’ve never felt particularly connected to the play, and have had a number of reservations: Prospero’s treatment of Caliban and Ariel, Prospero’s general machinations, the super duper problematic “romantic” relationship between Miranda and Ferdinand, and so on. I suppose the main reason I’ve never taken to the play is my lack of a favourite–or even just a preferred–character, which then means I tend to lose interest in the plot. The high incidence of music and physical comedy also makes it difficult to sit and read off the page, which meant that although The Tempest is not at all my “go-to” play, I always look forward to discovering how stage productions make use of the play-text.

thetempestw300h156

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Late Romances Bardathon Weekend: Pericles

07 Monday Mar 2016

Posted by Samantha Lin in A Spot of Shakespeare

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mobile blogging: please forgive any (temporary) typos, shakespeare: reviews, Shakespearean works: Pericles

Pericles is one of the few “Shakespeare” plays I hadn’t seen, so I jumped at the opportunity to catch it at the Globe with the other late romances. Having attended Cymbeline and The Winter’s Tale in a standing spot, I’d opted to have a seat (albeit restricted by a pillar), which was definitely the right choice, given how much my legs (and poor, PhD back) were protesting.

There’s been much speculation on Pericles‘s authorship, with general agreement that George Wilkins was Shakespeare’s collaborator. While I’ve read the play before (during a three-week pre-PhD frenzy of tackling the Norton Shakespeare from cover to cover), only a few key moments remained with me (namely, the climactic father-daughter reunion). In this sense, I went into the performance as a novice, a feeling in which I luxuriated because there are only so many times one can experience a Shakespeare/Shakespearean play for the first time (38, to be exact).

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Late Romances Bardathon Weekend: The Winter’s Tale

07 Monday Mar 2016

Posted by Samantha Lin in A Spot of Shakespeare

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mobile blogging: please forgive any (temporary) typos, shakespeare: reviews, shakespearean works: the winter's tale

In recent years, I’ve grown especially partial to ideas and works that, by whatever means and through whichever combinations, exhibit and embody a perfect balance. While perceptions of “balance” (and indeed, “perfection”) may be rather subjective, I’d like to think some fundamentals apply, such as the prevalence of opposition in relatively equal proportions. And I’ve always thought The Winter’s Tale a prime example of this balance, with its two halves containing contrasting themes, language, characters, and locations, which, when seen as a whole, are revealed as gloriously complementary.

All this preamble is to foreground my fangirly gushing for the Globe’s performance of The Winter’s Tale under the direction of Michael Longhurst, which, overall, is the best production of the play I’ve seen so far. Leontes (John Light) always bugged me, but here, his explosive reactions to the “perceived” affair between his wife and BFF had me fearful for their lives. Hermione (Rachael Stirling) was exquisite, and, in contrast to Leontes’ rage, her dignified sotte voce deliveries had my heart bursting with simultaneous agony and admiration. I was also very much taken by Camillo (Fergal McElherron), whose devotion was not only beautifully steadfast, but also reminded me of the faithful Pisanio in Cymbeline. In fact, The Winter’s Tale and Cymbeline share similar themes of jealousy, wronged women, and (undeserved?) loyalty, which were all made more apparent by watching one after the other.

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Late Romances Bardathon Weekend: Cymbeline

06 Sunday Mar 2016

Posted by Samantha Lin in A Spot of Shakespeare

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mobile blogging: please forgive any (temporary) typos, shakespeare: reviews, Shakespearean works: cymbeline

After heading to the Globe straight from the airport and spending two delightful hours with a friend over lunch (which was actually afternoon tea, with copious sandwiches, scones, and cakes), I entered the Sam Wanamaker indoor theatre for the first of my Shakespeare marathon: Cymbeline.

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