Shakespeare Film Adaptations: Comedies (Anglophone)

For those who would like some help choosing titles for the 2016 Bardathon Challenge, I’ve put together lists of some Shakespearean film adaptations. (See this post for my definition of adaptation, and for some suggestions on what to keep in mind while watching a Shakespearean adaptation.) Starting with Anglophone/English-speaking films, here are my five favourite adaptations of comedies (as classified by the First Folio):

Much Ado About Nothing (1993)

Directed by Kenneth Branagh
Kenneth Branagh, Emma Thompson, Denzel Washington, Robert Sean Leonard, Kate Beckinsale, Keanu Reeves, Michael Keaton

much ado

An absolutely delightful adaptation! Although I’m not a fan of Branagh’s later works, I adore his Much Ado About Nothing. Emma Thompson is flawless as Beatrice, the screenplay and pacing are excellent, and the music is simply lovely (especially with composer Patrick Doyle’s cameo as the musician Balthazar). Although Keanu Reeves’s Don John isn’t the most convincing villain, we can overlook that, given the bright and sunny nineteenth-century setting, and the overall joys of the film. If you’re looking for a more ‘traditional’ comedy adaptation that uses Shakespeare’s words, I recommend you check this out.

IMDb / Wikipedia

Continue reading

Review: As You Like It at The Globe (dir. Blanche McIntyre, 2015)

So it’s been a good fortnight since my last post, but that’s because I’ve travelling a little and was rendered inarticulate by one-too-many food comas. I know I’ve promised a post on Macbeth, and while that’s mostly written, today’s A Spot of Shakespeare will feature a review of the Globe’s thoroughly entertaining production of As You Like It (directed by Blanche McIntyre), which I had the pleasure of seeing while in London.

I went to the opening night with my good friend Costy, who, as it happens, has seen a previous production of As You Like It at the Globe (but she preferred this one—I’d like to think her stellar theatre companion had something to do with it). Despite our relatively last-minute booking, we managed to nab two £16 seats near the base of the stage and with a restricted view. Here’s how we experienced the production:

A sold-out opening night.

A sold-out opening night.

Continue reading