Since a few participants of the 2016 Bardathon Challenge are interested in a list of recommendations for Shakespearean film adaptations, I’m putting together a blog post…or twenty. It seems my academic and fangirl personas have been conspiring behind my (sore and bad) back, and now I’ve no choice but to talk at little length and with great gusto about these film adaptations.
Before getting started, I want to put forth my definition of adaptation, which has been shaped by my academic work on Shakespearean films. Over three years ago, I had a rather limiting view of what an ‘adaptation’ constituted, and would always be comparing those adaptations to Shakespeare’s ‘originals’ in terms of what the new versions lacked. Now, I think of adaptations as entities in and of themselves, and not ‘copies’ or imitations’ of Shakespeare’s plays.